Browsing by Author "Yang, D"

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    Sacrality, mythologism and realism of mural painting of the han dynasty and its influence on the further development of chinese art and architecture.
    (Stowarzyszenie Konserwatorów Zabytków, 2020) Gnatiuk, Liliia; Гнатюк, Лілія Романівна; Tovbych, V; Krupa, M; Yang, D; Гнатюк, Лилия Романовна
    The influence of external and internal factors on the formation of the figurative language of the burial murals of the Han period has been analyzed. The ancient Chinese burial murals in the tombs of the Han era are known much less than traditional Chinese painting and architecture. Therefore, using the methods of historical analysis, comparative analysis, the analytical method and graph-analytical method, the influence of the worldview and religious ideas of the Han period on the figurative language of the murals of tombs was determined, and the main plot compositions and descriptions of typical performance techniques were listed. The specificity of the frescoes of the Han period was that they were composed of individual details—hollow bricks or stone slabs painted outward on a white base. They were numbered and installed in the appropriate places. It is believed that it was the funeral frescoes of the Han era that became an innovative breakthrough in painting towards a realistic, rather than fantastic and mystical, depiction of the world.