Матеріали кафедри комп'ютерних технологій дизайну і графіки
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Item 100 років з дня створення першого військово-історичного музею в Україні(Національний військово-історичний музей України, 2010) Карпов, Віктор Васильович28 грудня 1910 року у підвальному приміщенні Київського художньо-промислового і наукового музею (нині – Національний художній музей України) відкрився Київський воєнно-історичний музей. Це був перший в Україні музей військово-історичного напряму, створений з ініціативи Київського відділу Імператорського Російського воєнно-історичного товариства. Доба національної революції в Україні, яка розпочалася у березні 1917 року, змінила долю Київського військово-історичного музею. Він стає власністю УНР. Його справою опікується уряд Центральної Ради. У березні 1918 року він був підпорядкований військово-науковому відділу генерального штабу військ УНР, поповнений експонатами музею війни і революції та під назвою „Військово-історичний” почав свою роботу вже як новий музейний заклад України. З падінням влади Центральної Ради і встановленням правління Гетьманського уряду в середині червня 1918 року до військово-наукового відділу генерального штабу армії Української держави надійшло розпорядження військового міністра до музею звільнити Маріїнський палац де він був розташований. Внаслідок цього музейні експонати були викинуті з приміщення і опинилися просто неба, частина колекції загинула або була розкрадена, а рештки перенесено до Генштабу, однак своєї діяльності Військово-історичний музей не відновив. Після поразки у визвольних змаганнях і встановлення радянської влади в Україні лише в 1967 році з ініціативи воєнно-наукового товариства, яке розпочинає свою роботу при Київському окружному Будинку офіцерів, створений Музей історії військ Київського Червонопрапорного військового округу. Проголошення незалежності України відкрило новий етап військово-музейної справи. Активізація військово-музейної діяльності розпочинається з відродження роботи військово-історичного музею, а саме у жовтні 1995 р., коли Міністерством оборони України засновано Музей Збройних Сил України та посаду начальника призначено військового музеєзнавця В.В. Карпова. 15 січня 2010 року Указом Президента України Центральному музею Збройних Сил України надано статус національного та перейменовано у Національний військово-історичний музей України. Традиції, закладені ще 100 років тому, він гідно продовжує і нині.Item Aesthetics shaping sacred space(National Aviation University, 2017) Gnatiuk, Liliia; Гнатюк, Лілія Романівна; Terletska, Mariia; Гнатюк, Лилия РомановнаІnvestigated the aesthetics of shaping of sacred space by analyzing the churches of different eras. Viewed the influence of aesthetic categories at construction of the temple area. Discovered what categories were more common in different eras. Analyzed the attitude of people to beauty at different times, by examining the historical and cultural situation of a certain age.Item Amateur murals and the visual chaos of contemporary Kyiv(Національний авіаційний університет, 2024) AVIUTSKA, K.The paper examines the challenges arising within the context of street art in Kyiv, focusing on its uneven development, lack of deep interaction with the urban environment, and apparent lack of professionalism in certain creative processes. The study proposes avenues for improvement, emphasizing the enhancement of artistic skills, fostering active collaboration between artists and the local community, and establishing clear standards. The author sees street art as a vital mechanism for expressing urban identity and preserving cultural heritage, stressing the need for unified terminology and a theoretical framework to achieve higher standards in this field.Item Analysis of the design systems impact(Національний авіаційний університет, 2024) YASENOK, Serhii; GNATIUK, LiliiaResearch on the application of design systems in the digital and physical spheres. It is found that focusing on the key function of the concept of design systems, the study reveals the evolution of this concept from its initial stages to modern strategies and methods. An analysis of previous research was carried out, including an overview of successful implementations of design systems in digital and physical environments and the challenges and advantages of their use.Item Application of bionics in the interior en educational space(National Aviation University, 2024) Vasylenko, Viktoriia; Rokachuk, Viktoria; Василенко, Вікторія; Рокачук, ВікторіяThe new educational space with elements of bionics is a safe and accessible educational environment with the use of modern information and communication tools. The latest technologies of energy efficiency, design, architecture of buildings, structures and territories of educational institutions are also used to create a new educational space. The information guide for creating a new educational space is developed in four directions: energy efficiency, barrier-free and conditions for inclusive education, modern equipment, motivating space.Item Application of new materials during rehabilitation of road structures using cold recycling technology(National Aviation University, 2020) Krayushkina Kateryna; Khimeryk TetianaThe economic attractiveness of cold recycling technology provides, first of all, the reuse of the existing material on the road for the arrangement of new pavement layers, so there is no need to equip special sites for the storage and disposal of old asphalt concrete. The essence of cold recycling technology which is most commonly used for arranging the subbase in Ukraine is that the defective and destroyed layers of road pavement are reinforced on-site by combined additives of organic and mineral binders. Cold recycling by complexity of works is divided into several types depending on the depth of milling. The choice of a rehabilitation type depends mainly on the general state of the pavement structure state which is determined before the beginning of repair work. In Ukraine, the main focus of R&D in cold recycling technology is the use of new materials such as fiber - basalt or polymer, stabilizing additives, industrial waste - slag of various types of industries or other byproducts. Conducted research has shown that the use of organic and mineral mixtures from an optimal mix design with the introduction of basalt fibers increases the crack resistance and durability of the arranged subbase.Item Application of new materials during rehabilitation of road structures using cold recycling technology(National Aviation University, 2020) Гнатюк, Лілія Романівна; Гнатюк, Лилия Романовна; Gnatiuk, Liliia; Novik, Hanna; Krayushkina, К; Khimeryk, Т; Oliynyk, ОThe economic attractiveness of cold recycling technology provides, first of all, the reuse of the existing material on the road for the arrangement of new pavement layers, so there is no need to equip special sites for the storage and disposal of old asphalt concrete. The essence of cold recycling technology which is most commonly used for arranging the subbase in Ukraine is that the defective and destroyed layers of road pavement are reinforced on-site by combined additives of organic and mineral binders. Cold recycling by complexity of works is divided into several types depending on the depth of milling. The choice of a rehabilitation type depends mainly on the general state of the pavement structure state which is determined before the beginning of repair work. In Ukraine, the main focus of R&D in cold recycling technology is the use of new materials such as fiber - basalt or polymer, stabilizing additives, industrial waste - slag of various types of industries or other byproducts. Conducted research has shown that the use of organic and mineral mixtures from an optimal mix design with the introduction of basalt fibers increases the crack resistance and durability of the arranged subbase.Item Architectural analysis of the reconstructed buildings entrance units of kyiv historic centre(Національний авіаційний університет, 2017) Sidorova, Olena; Sidorova, Mariia-Yuliia; Yevtushenko, Anastasiiaрositive and negative issues in modern entrance groups in Kiev of the late 19th and early 20th centurywere considered. Four main types of entrance groups and their most typical elements were identified. Search of the possible ways to preserve the integrity of heritage buildings.Item Art during the Reign of Rudolf II as Quintessence of Leading Mannerism Trend at Prague Art Center(Karabuk University, 2020) Romanenkova, Julia; Bratus, Ivan; Kuzmenko, Halyna; Streltsova, SvitlanaThis article is devoted to Rudolfine art as one of the style-forming components and a significant trend in European Mannerism of the 16-17th centuries. A general overview of this style, necessary preconditions that led to its emergence in the artistic culture of Europe, Mannerism major trends and its vectors of spreading in Europe, the role of Rudolfine artists in this process, are laid out in this work. We emphasized the lack of adequate research made in the field of Art History. The personal influence of Emperor Rudolf II on the formation of court art at that time was pointed out. We looked into the background and circumstances at which the Prague Art Center was established by the Emperor and how he provided patronage to the arts and science. The importance of works by prominent artists of the Rudolfine era who worked at the Prague Art Center is highlighted. The main directions of Mannerism distribution through European countries, mainly its further adaptation and style transformation depending on the geographical location, grounds on why the art was so influenced by the Italian movement, the approach and tools of Mannerism in one of the leading European courts. The main characteristics of the Rudolfine art style is highlighted. Its main representatives are defined and their individual creative styles are separately analyzed, including Giuseppe Arcimboldo, Roelant Savery, Bartholomeus Spranger, Joris Hoefnagel, Adriaen de Vries, Joseph Heintz the Elder, and Hans von Aachen. It is pointed out that there was a tendency in the synthesis of Italian, French, and German trends which formed the foregrounds of individual styles of major representatives in Rudolfine art that have been a significant element of Mannerism. General characteristics of stylistic features of Rudolfine artists as representatives of Mannerism who contributed to its fast proliferation in Europe are laid out.Item Circus art in modern realities: functions, problems, prospects(Editorial Cuadernos de Sofía, 2021) Romanenkova, Julia; Kuzmenko, Halyna; Bratus, Ivan; Sharykov, DenysThe circus has always been one of the most controversial culture branches for terminologisation. Even today this is a field to deal with cliches, stereotypes, a platform for discussions about this activity type independence and its role in modern society. Unfortunately, the circus sphere has to fight for the right to be recognized as an independent culture segment, as an art form, although the fact this type of entertainment has been one of the most popular in society since ancient times remains incontestable. The scientists began to define the circus status as a phenomenon in the cultural sphere "table of ranks" transferring this discussion to the scientific field. The Soviet circus school as the most powerful in the world and after Soviet Union collapse each of the former Soviet republics actually again created its own circus school on the post-Soviet territory, based on the Soviet circus traditions. Politics became the reason of the most powerful cultural branch appeared under the threat of death. And in today's realities the threat has become even more realistic. The Russian and Ukrainian circus appeared the most powerful after the USSR collapse, each of the school¬ was the famous Soviet circus legal successor.Item Combinatorial methods forming objects of design(BALTGRAF, 2013) Kuznetsova, Iryna; Кузнецова, Ірина Олексіївна; Кузнецова, Ирина Алексеевна; Chemakina, Oktyabrina; Shimanskaya, TatyanaItem COMP – пакет програм демонстрації компонування пультів ергатичних систем(Київ, 1998, 1998) Ковальов Юрій Миколайович; Kovaluov Yuri; Ковалев Юрий НиколаевичОписывается пакет программ, демонстрирующих предложенную ранее автором технологию оптимизации пультов эргатических систем. Приводятся характеристики среды разработки и системные требования. Рассматривается структура пакета, функции и интерфейсы отдельных модулей. Даются краткие сведения о запуске пакета в разных средах, выборе режима демонстрации, ис-пользовании графического редактора и других средств Delphi для модификации отдельных модулей.Item Computer algorithm for creation classic mosaic fillings based on the vector guide lines(Національний авіаційний Університет, 2020-02) Petrushevski, Andri; Us, ViktoriiaThe article suggests algorithms for filling mosaic surfaces. Today, there are a number of algorithms that use the software design environment to automate the creation of images that correspond to mosaic compositions based on raster images. However, they do not allow realizing the principles of the classical construction of mosaic works, which guide professional mosaics. In this case, the main task is the problem of optimizing the filling of space from a mathematical point of view. From the point of view of the artist, this is not the main problem, moreover, the distance between the parts of the mosaic can vary, act as an artistic element. Much more important is the organization of the structure of the mosaic surface. This article is dedicated to this problem. The sequence of actions is given - algorithms that allow the artist to achieve the desired effect and gain full control when filling mosaic surfaces. These algorithms allow you to create mosaic fillings based on linear patterns without color and tonal design, which is impossible for existing algorithms. The authors proposed the construction of the topology of classical mosaics using vector guides. When forming the algorithm, vector guide lines or “power lines” are taken as a basis, on which mosaic elements (tesserae) are subsequently placed. Variants of using existing algorithms at each stage of the solution of the problem are proposed. Algorithms and results of filling a mosaic panel with a line-by-line and equidistant method are presented. This technology will allow not only creating mosaic surfaces, but also using it as a tool for creating real art projects for implementation in design and art. The possibility of using existing technologies in this technique is commented.Item Computer Technologies as A Method to Create A Contemporary Ex-Libris(INT JOURNAL COMPUTER SCIENCE & NETWORK SECURITY-IJCSNS, 2022) Romanenkova, Julia; Bratus, Ivan; Varyvonchyk, Anastasia; Sharikov, Denis; Karpenko, Olga; Tkachuk, OlenaThe article is dedicated to the phenomenon of modern ex-libris created with the help of computer graphics. The process of evolution in the use of various techniques of book plate creating is analyzed, the role of computer technologies in the popularization of the modern book plate is emphasized. The debatable nature of the issue of the danger of displacement, replacement of traditional techniques of printed graphics with computer technologies is emphasized. Computer graphics are positioned as an effective way to popularize the Ukrainian ex-libris in the foreign art space. The characteristic features of the Ukrainian computer ex-libris are highlighted, a parallel with the book plate created with the help of computer graphics by masters of other countries (Belgium, China, the Netherlands, Poland, Turkey) is drawnItem Concept of National Policy on Cultural Heritage Development in Ukraine(National Aviation University, 2014) Oliynyk, Olena; Олійник, Олена ПавлівнаThe paper deals with problems associated exclusively with immovable historical and cultural heritage. The concept of a national policy on the immovable cultural heritage of Ukraine is offered. This concept takes into account the needs of sustainable urban development, promotion and preservation of heritage through restoration of the nation’s historical memory and identity. The concept proceeds from the premise that the path to European integration, which has been chosen by the Ukrainiansand has already cost them thousands of lives, is irreversible.Item Conceptual model of a street place of restМ(2014) Kuznetsova, Iryna; Кузнецова, Ірина Олексіївна; Кузнецова, Ирина Алексеевна; Strigavska, J.; Iida, N.Item Conic sections in formation of the trade marks form(2013) Kuznetsova, Iryna; Кузнецова, Ірина Олексіївна; Кузнецова, Ирина Алексеевна; Buravska, A.Item Creating a mascot: from supporting business to promoting ukrainian culture(National Aviation University, 2024) Syvash, Ilona; Сиваш, ІлонаIn a world where the competition in the market is constantly increasing, creating a mascot helps brands stand out from others and attract the attention of customers. Mascots are becoming important symbols in the digital environment, where they can be used for content creation that is in line with the interests of the audience. In a world where ordinary consumers are increasingly dominated by emotional and aesthetic aspects when making shopping choices, a mascot can create positive emotions and foster brand loyalty. Mascot can be used on a variety of platforms, including websites, social media, promotional materials, products, and more, which makes them a versatile tool for developing new design and animation techniques that allow you to create mascots with more expressive and attractive features that meet the needs of the modern community. Therefore, the work on creating a mascot remains very relevant in the context of modern design trends and consumer needs.Item Creating a Set of Differential Equations to Predict Changes of Visual Perseption of Design Objects(2007-06) Кузнецова, Ірина Олексіївна; Кузнецова, Ирина Алексеевна; Kuznetsova, IrynaItem Current color solution featuresin interiors on modern ships(Національний авіаційний університет, 2017) Kuznetsova, Iryna; Shepel, Hanna; Кузнецова, Ірина Олексіївна; Кузнецова, Ирина АлексеевнаA color is one of the main compositional techniques which are used to design the vessel interiors. It provides ability to balance the physiological and psychological comfort. Interior color palette will vary depending on the purpose of the vessel. The color palette on the cruise ship is aimed at leisure passengers. The existing priority of colors on a cruise ship – beige – brown. Choice of color in the interior it depends on the preferences of the owner on yachts. The main color used in yacht interiors – white. The interior color solution of cargo ship depends on the funds allocated by the owner and solutions of the captain. Analysis indicates the existence tradition in the color scheme of the interior courts and the lack of existing accounting of the latest scientific advice on the use of color in the design of interior. Color solutions in the interiors of the considered types of vessels determined through visual – graphical analysis of the 1000 images and conduct a survey of seafarers working on different types of ships.